- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
The Imaginary museum of musical works : an essay in the philosophy of music / Lydia Goehr
Material type:
TextPublisher: Oxford : Oxford University Press, 2007Edition: Revised editionDescription: lii, 314 pàgines ; 22 cmContent type: text Media type: sense mediació Carrier type: volumISBN: 9780195324785Subject(s): Música -- Filosofia i estètica
Contents:
Summary: In this book, Lydia Goehr describes how the concept of a musical work fully crystallized around 1800, and subsequently defined the norms, expectations, and behavioral patterns that have come to characterise classical musical practice. The description is set in the context of a more general philosophical account
Part I: The analytic approach -- A nominalist theory of musical works -- A Plonist theory of musical works -- The limits of analysis and the need for history -- Part II: The historical approach -- The central claim -- Musical meaning: from antiquity to the Enlightenment -- Musical meaning: romantic transcendence and the separability principle -- Musical production without the work-concept -- After 1800: The Beethoven paradigm -- Werktreue: confirmation and challenge in contemporary movements
| Item type | Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
| Monografia | Catàleg Biblioteca del Museu de la Música | 81 Goe (Browse shelf(Opens below)) | Available | 5010 |
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Bibliografia. Índex
Inclou un nou assaig introductori de l'autor i un pròleg de Richard Taruskin. Taruskin és un musicòleg, historiador de la música i crític nord-americà.
Part I: The analytic approach -- A nominalist theory of musical works -- A Plonist theory of musical works -- The limits of analysis and the need for history -- Part II: The historical approach -- The central claim -- Musical meaning: from antiquity to the Enlightenment -- Musical meaning: romantic transcendence and the separability principle -- Musical production without the work-concept -- After 1800: The Beethoven paradigm -- Werktreue: confirmation and challenge in contemporary movements
In this book, Lydia Goehr describes how the concept of a musical work fully crystallized around 1800, and subsequently defined the norms, expectations, and behavioral patterns that have come to characterise classical musical practice. The description is set in the context of a more general philosophical account
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