Instruments in art and science : on the architectonics of cultural boundaries in the 17th century / Helmar Schramm, Ludger Schwarte, Jan Lazardzig.

Bibliografia. índex

Conté: The Hand as “instrumentum instrumentorum” / Helmar Schramm -- Some Thoughts on Instruments and Objects in theExperimental Context of the Life Sciences / Hans-Jörg Rheinberger Intersections -- Representation and Distortion: On the Construction of Rationalityand Irrationality in Early Modern Modes of Representation / Dieter Mersch -- World Orders and Corporal Worlds: Robert Fludd’s Tableau ofKnowing and its Representation / Olaf Breidbach -- Telescope, Theater, and the Instrumental Revelationof New Worlds / Florian Nelle -- The Pathos of Function: Leonardo’s Technical Drawings / Frank Fehrenbach -- “Il pennello artificioso”: On the Intelligence of the Brushstroke / Nicola Suthor -- The Enlightenment “Catholization” of Projective Technology:Theurgy and the Media Origins of Art / Barbara Maria Stafford -- The Machine as Spectacle: Function and Admiration in Seventeenth-Century Perspectives on Machines / Jan Lazardzig -- The Anatomy of the Brain as Instrumentalization of Reason / Ludger Schwarte -- The “Chymistry Laboratory”: On the Function of the Experiment inSeventeenth-Century Scientific Discourse / Gerald Hartung -- The Order of Knowledge, of Instruments, and of Leiden University,ca. 1700 / Gerhard Wiesenfeldt -- The Ideal Musaeum Kircherianum and the Ignatian Exercitia spiritualia / Angela Mayer-Deutsch -- Organology: The Study of Musical Instruments in the 17th Century / Conny Restle -- Sound Similar to the Harps: Early Descriptions of AfricanMusical Instruments / Andreas MeyerIn -- Machines, Bats, and Scholars: Experimental Knowledge in the LateEighteenth and Nineteenth Centuries / H. Otto Sibum -- Scientific Coordination as Ethos and Epistemology / Peter Galison, Lorraine Daston -- Breaking, Grinding, Burning: Instrumental Aspects in EarlyMicroscopical Pictures / Stefan Ditzen -- The Instrument in the Image: Revealing and Concealing the Conditionof the Probing Tip in Scanning Tunneling Microscopic Image Design / Jochen Hennig -- Formal Signs and Numerical Computation: Between Intuitionismand Formalism. Critique of Computational Reason / Bruno Bachimont -- Art Precedes Science: or Did the Camera Obscura Invent ModernScience? / Don Ihde -- Instrumentalities of Place in Science and Ar / Thomas F. Gierynt -- The Eye Opens, the Lamp Goes Out: Remarks on Bergson and Cinematography / Georges Didi-Huberman -- The Illusion of Power: Central Bank Money / Martin Burckhardt -- The Productivity of Blanks: On the Mathematical Zero and theVanishing Point in Central Perspective. Remarks on the Convergencesbetween Science and Art in the Early Modern Period / Sybille Krämer -- Instrumental Sound and Ruling Spaces of Resonance in the EarlyModern Period: On the Acoustic Setting of the Princely potestasClaims within a Ceremonial Frame / Jörg Jochen Berns