- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
The piano as a symbol of burher culture in nineteenth-century Warsaw Benjamin Vogel
Material type:
ArticleLanguage: Anglès Publication details: 1993 Description: p. 137-146Subject(s): Etnomusicologia | Piano -- Història
In:
The Galpin Society Journal XLVI (March 1993), 1993
| Item type | Current library | Call number | Status | Notes | Date due | Barcode |
|---|---|---|---|---|---|---|
| Article | Catàleg Biblioteca del Museu de la Música | R The Galpin Society (Browse shelf(Opens below)) | Not For Loan | 2939 | A969 |
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| R The Galpin Society A historical account of the chinese two-stringed fiddle erhu | R The Galpin Society The Bassano's maker's mark revisited | R The Galpin Society Two harpsichord by Giovanni Celestini | R The Galpin Society The piano as a symbol of burher culture in nineteenth-century Warsaw | R The Galpin Society Notes and queries | R The Galpin Society The double-manual harpsichord by Francis Coston, London, c.1725 | R The Galpin Society The Machine stop and its potential on full-specification one-manual harpsichords made by Thomas Culliford in 1785 |
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