- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
Towards establishing the original state of the three-manual harpsichord by Stefano Bolcioni, Florence, 1627, in the Russell Collection of Early Keyboard Instruments, Edinburgh Grant O'Brien
Material type:
ArticleLanguage: Anglès Publication details: 2000 Description: p. 168-200Subject(s): Bolcioni, Stefano | Clavicèmbal -- Constructors | Instruments musicals -- Col·leccions | Russell Collection of Early Keyboard Instruments, Edinburg -- Col·leccions
In:
The Galpin Society Journal LIII (April, 2000), 2000
| Item type | Current library | Call number | Status | Notes | Date due | Barcode |
|---|---|---|---|---|---|---|
| Article | Catàleg Biblioteca del Museu de la Música | R The Galpin Society (Browse shelf(Opens below)) | Not For Loan | 3017 | A1123 |
Browsing Catàleg Biblioteca del Museu de la Música shelves Close shelf browser (Hides shelf browser)
| R The Galpin Society A netherlandish harpsichord of 1658 re-examined | R The Galpin Society Endingidi (tube fiddle) of Uganda its adaptation and significance among the Baganda | R The Galpin Society Two elisabethan virginals? | R The Galpin Society Towards establishing the original state of the three-manual harpsichord by Stefano Bolcioni, Florence, 1627, in the Russell Collection of Early Keyboard Instruments, Edinburgh | R The Galpin Society The flutes of Qantz their construction and performing practice | R The Galpin Society The influence of the bandora on the origin of the baroque baryton | R The Galpin Society Sonido rajado II |
There are no comments on this title.