- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
A proposed graphical method for establishing a preliminary gauge pattern for stringing eighteenth-century french harpsichords Thomas Donahue
Material type:
ArticleLanguage: Anglès Publication details: 2009 Media type: AR Subject(s): Clavicèmbal -- Acústica i física | Clavicèmbal -- Afinació | Clavicèmbal -- Construcció -- S. XVIII | Cordes (Clavicèmbal)
In:
The Galpin Society Journal Volume LXII, April 2009, 2009, 141-157
| Item type | Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
| Article | Catàleg Biblioteca del Museu de la Música | R The Galpin Society Journal (Browse shelf(Opens below)) | Available | Art-5180 |
Browsing Catàleg Biblioteca del Museu de la Música shelves Close shelf browser (Hides shelf browser)
| R The Galpin Society Journal The single-manual italian harpsichord in the Royal College of Music, London, Cat. No. 175 an organological analysis | R The Galpin Society Journal New information about harpsichords and harpsichord makers employed in Rome by Cardinal Pietro Ottoboni and his father Antonio | R The Galpin Society Journal Violicembalos and other italian sostenente pianos 1785-1900 | R The Galpin Society Journal A proposed graphical method for establishing a preliminary gauge pattern for stringing eighteenth-century french harpsichords | R The Galpin Society Journal The Viscountess de Beaumont's harp and music album (1780) | R The Galpin Society Journal Two bass viols labelled John Ross at the Gemeentemuseum, The Hague | R The Galpin Society Journal Hamburg and Paris Joachim Tielke's pochettes |
Single-manual Italian harpsichord, attibrutted here to Onofrio Guarracino.
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