- Ajuntament de Barcelona
- Institut de Cultura de Barcelona
On Tupos iconography and verisimilitude in early Arcadia Ayana O. Smith
Material type:
ArticleLanguage: Anglès Publication details: 2009 Media type: AR Subject(s): Arcàdia en l'art | Gravina, Gianvincenzo | Guidi, Alessandro
In:
Music in art: International journal for music iconography Vol. XXXIV, no. 1-2, 2009, 44013
| Item type | Current library | Call number | Status | Date due | Barcode |
|---|---|---|---|---|---|
| Article | Catàleg Biblioteca del Museu de la Música | R Music in art: International journal for music iconography (Browse shelf(Opens below)) | Available | Art-5872 |
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| R Music in art : international journal for music iconography Picturing dance in Eighteenth-Century England | R Music in art : international journal of music iconography Revisiting Dufay's Saint Anthony Mass and its connection to Donatello's altar of Saint Anthony of Padua | R Music in art : international journal of music iconography The lira da braccio in the angel's hands in italian renaissance madonna enthroned paintings | R Music in art: International journal for music iconography On Tupos iconography and verisimilitude in early Arcadia | R Music in art: International journal for music iconography Anthropomorphic terror the bête-machine, the ballet de cour, and the tragédie en musique | R Music in art: International journal for music iconography Trimming scenic invention oblique perspective as poetics of discipline | R Music in art: International journal for music iconography New insights into the performance of Fux's opera Costanza e fortezza in Prague in 1723 |
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